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Manipuri dance essay


manipuri dance essay

ban and as the Indian freedom movement progressed steadily during the early 20th century, an effort to revive Indian culture and tradition became strong among Indians. The most distinguished of these is the Kumil costume that is an exquisitely embellished long skirt in the shape of a barrel with a stiffened bottom. Accompanists include a singer. There are 64 different talas for the Pung. Rasalila, Lai Haraoba, Choloms, Pung Cholom, Natasankirtana, Khubak Ishai and other Manipuri dances share both nritta and nritya aspects and are edited judiciously for the concert platform to suit the urban audience. 2 The main instrument is a wooden drum, the Pung, which looks like the clay Khol of Bengal.

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The Chaitanya style of devotional Vaishnavism was embraced by King Gareeb Niwaz in 1717 that saw accentuation of religious performance arts including singing and dancing based on themes surrounding Lord Krishna. The gods of the religion, Krishna and Radha were worshipped and temples were built all over Manipur. Manipur was annexed by the British colonial government in 1891, and with this the flourishing period of Manipuri dance art came under the clutch of colonial rule like other ancient Indian classical dance forms. Be it the art forms depicting the very famous art of Raslila, which was given the plinth of recognition through the cult of Krishna and Radha, or whether its the costumes, this place spreads the essence of an ethnic culture in its purest form. The Christian missionaries launched anti-dance movement in 1892 and later the Madras Presidency under the British colonial government banned the custom of dancing in Hindu temples in 1910. There were two kinds of dance that developed with the influence of this religion: the Samkirtana and the Rasalila. Global Influences, these Manipuri costumes have floored not only the audience of India, but also the residents of foreign countries across the globe. Legendary personalities like Guru Kalavati Devi has embedded volumes of popularity and fame into the international soils with her efforts of creating intrinsic designed Manipuri dance costumes abroad, which has been liked as well and has attracted millions of international garment markets. The dance with the Pung, called the Pung Cholom, is part of the Samkirtana in Manipur. In Pung Cholom, the dancers play upon pung, the drum, and dance while playing the intricate time cycles, executing somersaults and breathtaking acrobatic feats. In the 18th century, Manipur came under the influence of Chaitanite Vaishnavism which was a branch of Hinduism.

Rasa Leela in Manipuri dance style. These are basically love stories. Style Attire, the Manipuri dance costume embedded with different types of intrinsic artwork floored the onlookers as well as the wearers.


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