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Stephen shore essay

stephen shore essay

influenced more than a generation of photographers. Uncommon Places, Aaron Schuman, SeeSaw: An Online Photography Magazine, January 2004. Thrilled with the results, Shore secured the back room at the Light Gallery, and plastered three of its walls with a tightly-knit grid of small, glossy prints, barraging his audience with a photographic wallpaper of what seemed like amateurish, color snapshots. Although this is a landscape photograph, he has no intention to conceal human presence. Shore transforms a common place to an escape, Evans documents the effects of one of the most important historical periods in American social history and Lange uses her photography as a tool for political change. At first, he suspected that if he were to make larger hand-made prints, he might convince others of the relevance of the work. Stephen Shore, Gil Blank, ASX: American Suburb X, June 2009. Meeting Street, Charleston, South Carolina, 1974 Because of the apparently unsentimental nature of the forty original plates, Uncommon Places has often been characterized as formal, clinical, objective, impersonal, or dispassionate. Its impact was felt almost immediately, forever changing the course of art photography, and securing Stephen Shore a place within the canon of photographic history. Articles and Reviews, stephen Shore, Lynne Tillman, 4Columns, January 2018 (PDF). It was a shock.

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So I just called him up and said, Id like to show you my work. He has received two NEA grants and a Guggenheim Foundation grant. Im not turning my back on that work. Especially if Im photographing an intersection, I dont have to have a single point of emphasis in the picture. At seventeen, Shore was a regular at Andy Warhols Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-three, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the. Coleman, The Village Voice, April 1971 (PDF) Is It Necessary to Ask What They Mean?, Gene Thornton, The New York Times, March 1971 (PDF) Prints and Photographs on View at the Metropolitan, David.

Uncommon Places : The Complete Works - Aperture Foundation Essay on, stephen Shore, American Surfaces - Gil Blank Stephen Shore Stephen Shore: American Surfaces - Gil Blank